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The net floats shown here are masterpieces of woodcarving and when seen from a even a near distance on the surface of the ocean, perfectly suggest the presence of the animals the carver has portrayed. This served to honor the "Inua" or spirit of the animal that was portrayed and visually reassured the fish approaching the net that all was well.
Many of the items shown here were collected in the latter part of the 19th Century, long before replicas were created for trade and souvenirs. The area was largely unknown and completely unexplored until well after the American Civil War. When the first expedition to the Upper Bering Sea was mounted in the late 1870's, the inhospitable terrain offered it's leader, Michael Nelson of the Smithsonian Museum, many unexpected challenges, many of them directly related to the scarcity of wood.
When Nelson established his base in St. Michaels near Stuart Island, fuel for heating was a major problem, since the windswept coast of the Bering Sea. was treeless for hundreds of miles in all directions. Expeditions to the forested interior of the mainland were never easy and rarely provided much useful fuel, because the green Alaska timber required months of aging and drying before it would burn. One night, the men of the expedition were awakened by a noise coming from the Unalakleet River near their basecamp, "Which sounded like a hundred locomotives."
The next morning they awoke to the sight of thousands of large trees littering the beach directly in front of their encampmant and the sound of dozens of Eskimos hacking away at the pile with stone and metal axes, quickly stowing it into their boats. By the end of the day, the tide came in and "Completely cleared the beach of anything the Eskimos had left."
Masks
| Ivory
| Wood
| Fishing
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Decoys |
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